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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">IJAR</journal-id>
      <journal-title-group>
        <journal-title>Indonesian Journal of Advanced Research</journal-title>
      </journal-title-group>
      <issn pub-type="epub">2986-0768</issn>
      <publisher>
        <publisher-name>Formosa Publisher</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.55927/ijar.v4i9.15390</article-id>
      <title-group>
        <article-title>Visual Identity Design in Events: A Strategic Approach to Improve Image and Attractiveness at the Bandung Shocking Sale Festival Event</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author" corresp="yes">
          <name>
            <surname>Rinaldi</surname>
            <given-names>Mario</given-names>
          </name>
          <aff>Faculty of Visual Communication Design, Widyatama University</aff>
          <email>mario.rinaldi@widyatama.ac.id</email>
        </contrib>
        <contrib contrib-type="author">
          <name>
            <surname>Satyadharma</surname>
            <given-names>I Gede Nyoman Wisnu</given-names>
          </name>
          <aff>Faculty of Visual Communication Design, Widyatama University</aff>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <day>29</day>
        <month>09</month>
        <year>2025</year>
      </pub-date>
      <history>
        <date date-type="received">
          <day>11</day>
          <month>08</month>
          <year>2025</year>
        </date>
        <date date-type="rev-recd">
          <day>25</day>
          <month>08</month>
          <year>2025</year>
        </date>
        <date date-type="accepted">
          <day>28</day>
          <month>09</month>
          <year>2025</year>
        </date>
      </history>
      <volume>4</volume>
      <issue>9</issue>
      <fpage>2157</fpage>
      <lpage>2170</lpage>
      <abstract>
        <p>Visual identity is one of the essential aspects of a branding strategy, which includes elements such as logos, color palettes, typography, and other design elements that shape the public's perception of a product or event. This design aims to explore the role of visual identity in improving the image as well as being the main attraction of an activity. In the context of the Bandung Shocking Sale Festival, the design of the right visual identity is expected to be able to attract more visitors while strengthening the position and identity of the event in the city of Bandung. As the number of similar events increases, a clear differentiation effort is needed so that the Bandung Shocking Sale Festival can compete and have a unique value in the eyes of the public. This study uses a descriptive qualitative method with data collection techniques in the form of interviews, observations, and documentation, and is complemented by literature studies and tracing of other literature sources to obtain secondary data. The final design results are in the form of soft logo files, logo design derivatives, and the application of visual identity in various promotional media that are relevant to the needs of the event.</p>
      </abstract>
      <kwd-group>
        <kwd>Visual Identity Design</kwd>
        <kwd>Visual Communication Strategy</kwd>
        <kwd>Event Branding</kwd>
        <kwd>Event Image</kwd>
        <kwd>Event Promotion</kwd>
        <kwd>Event Marketing</kwd>
      </kwd-group>
      <permissions>
        <license>
          <ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0/</ali:license_ref>
          <license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License.</license-p>
        </license>
      </permissions>
    </article-meta>
  </front>
<body>
<sec id="introduction">
  <title>INTRODUCTION</title>
  <p>The city of Bandung is known as one of the shopping and lifestyle
  tourism destinations in Indonesia. For a long time, Bandung has been a
  magnet for domestic and foreign tourists thanks to the creativity of
  its citizens, culinary diversity, and the richness <italic>of local
  fashion</italic> products . This potential encourages the government
  and various organizers to present thematic events that are able to
  strengthen the city's image while increasing tourist visits, one of
  which is through the Bandung Shocking Sale Festival.</p>
  <p>The Bandung Shocking Sale Festival is one of the annual events that
  has a strategic role in encouraging the growth of local economic
  activities while promoting superior products from various sectors in
  the city of Bandung. The festival offers discounts on a large scale
  that consistently attracts thousands of visitors each year. However,
  in the midst of an increasingly fierce competition climate between
  organizers of similar events, the success of the Bandung Shocking Sale
  Festival does not only depend on the attractiveness of discount
  offers, but also on how this event is perceived by the public.</p>
  <p>The public's perception of an event is greatly influenced by the
  power of the visual identity it displays. A strong, consistent, and
  relevant visual identity not only enhances the positive image of the
  event, but also makes it easier to recognize and differentiate from
  competitors. Visual identity elements include logos, color palettes,
  typography, and other supporting design elements that overall make a
  first impression on the audience. Proper visual identity design can be
  an effective means of communication while building emotional
  attachment with visitors and participants.</p>
  <p>According to Kusrianto in Januariansyah (2017), a good logo has
  original, unique characteristics, has a high level of readability, is
  simple so that it is easy to remember, and is able to represent a
  positive image of the organization or event it represents. Meanwhile,
  Hananto (2019) emphasized the importance of logo consistency as part
  of a promotional strategy, especially in various digital media. In the
  context of the Bandung Shocking Sale Festival, logos as part of visual
  identity play a central role in ensuring the harmony of messages and
  images in all promotional media.</p>
  <p>In addition to visual identity, the creation of promotional media
  is one of the main strategies in reaching a wide audience. Promotional
  media that is consistently designed and integrated with visual
  identity serves to inform, persuade, remind, and retract the
  audience's interest in the event being held. Therefore, a strategic
  approach in designing a visual identity for the Bandung Shocking Sale
  Festival requires an in-depth understanding of audience
  characteristics, analysis of the latest design trends, as well as the
  integration of the festival's core values into every design
  element.</p>
  <p>Based on this description, this study will comprehensively discuss
  the role of visual identity in building the image and attractiveness
  of an event, focusing on the design of the visual identity of the
  Bandung Shocking Sale Festival and its application in various
  promotional media. With the right design, it is hoped that the
  resulting visual identity can be a representation that is in line with
  the vision,</p>
  <p>mission, and characteristics of the festival, while increasing
  public attraction and participation.</p>
</sec>
<sec id="literature-review">
  <title>LITERATURE REVIEW</title>
  <sec id="visual-identity">
    <title>Visual Identity</title>
    <p>A visual identity is a set of visual elements that are used
    consistently to represent the image, values, and character of a
    brand, organization, or event. According to Wheeler (2017), visual
    identity includes elements such as logos, color palettes,
    typography, iconography, and supporting graphic elements that are
    designed in an integrated manner to create a clear perception in the
    minds of the audience. The main function of visual identity is to
    build brand recognition, create differentiation from competitors,
    and strengthen emotional relationships with the target audience
    (Kusrianto, 2011).</p>
    <p>In the context of organizing events, visual identity acts as a
    means of visual communication that conveys the message, theme, and
    atmosphere of the event to visitors. A properly designed visual
    identity will make it easier for an event to be recognized,
    remembered, and associated with the positive experience that
    visitors receive.</p>
  </sec>
  <sec id="logo-as-a-key-element-of-visual-identity">
    <title>Logo as a Key Element of Visual Identity</title>
    <p>A logo is a graphic representation of an entity that serves as
    the main symbol in the visual identity system. Kusrianto in
    Januariansyah (2017) stated that an effective logo has the following
    characteristics: (1) original and unique, different from other logos
    so as to avoid identity confusion; (2) have clear readability so
    that it can be applied to various sizes and media; (3) simple so
    that it is easy to remember and recognize; and (4) relevant, i.e.
    able to represent the values, vision, and character of the entity
    represented.</p>
    <p>Hananto (2019) added that the consistency of the use of logos in
    all promotional media is an important factor in building brand
    awareness and strengthening the image, especially in digital
    marketing strategies.</p>
  </sec>
  <sec id="promotional-media-in-event-marketing">
    <title>Promotional Media in Event Marketing</title>
    <p>Promotional media is a means used to convey information,
    persuade, and remind the target audience about a product or event
    (Kotler &amp; Keller, 2016). In organizing events, promotional media
    serves not only to attract visitors, but also to strengthen the
    image and build long-term relationships with the audience.</p>
    <p>Types of promotional media commonly used in event marketing
    include:</p>
    <list list-type="order">
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Print media, such as posters, flyers, brochures, and
            banners.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Digital media, such as social media, websites, and online
            advertising.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Media merchandise, such as t-shirts, tote bags, or
            souvenirs that contain the visual identity of the event.</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <p>The effectiveness of promotional media is determined by an
    attractive design, clear message, and consistency in the application
    of visual identity throughout promotional materials.</p>
  </sec>
  <sec id="visual-design-trends-in-event-branding">
    <title>Visual Design Trends in Event Branding</title>
    <p>Technological developments and changes in consumer behavior
    affect visual design trends in event branding. Lupton (2014) stated
    that contemporary design trends tend to utilize bold colors,
    expressive typography, custom illustrations, and layout flexibility
    that can be adapted to various platforms, especially digital.</p>
    <p>In the context of a city-scale festival, the implementation of
    design trends must consider relevance to local values and culture in
    order for visual identity to remain emotionally attached to the
    target audience.</p>
  </sec>
</sec>
<sec id="methodology">
  <title>METHODOLOGY</title>
  <p>This study uses a qualitative method with a descriptive type. This
  approach was chosen because it is general, exploratory, flexible, and
  can develop during the research process. According to Sugiyono (2016),
  qualitative data analysis is inductive, which is based on real
  findings in the field, with the aim of producing detailed and
  meaningful data.</p>
  <p>In the context of visual identity design, Rustan (2021) emphasized
  that research is an essential initial stage to find solutions to
  existing problems. Therefore, this study combines primary data
  collection through interviews, observations, and documentation with
  secondary data through literature studies. This method is expected to
  produce a visual identity design that is not only attractive and
  consistent, but also able to significantly increase the image and</p>
  <p>attractiveness of the Bandung Shocking Sale Festival.</p>
  <sec id="data-collection-techniques">
    <title>Data Collection Techniques</title>
    <disp-quote>
      <p><italic>Problem Identification</italic></p>
    </disp-quote>
    <p>Identify the need for a consistent and compelling visual identity
    to enhance the image of the Bandung Shocking Sale Festival. At this
    stage, the problem formulated includes how visual identity is
    designed and applied effectively.</p>
    <disp-quote>
      <p><italic>Literature Study</italic></p>
    </disp-quote>
    <p>Examine theories and concepts related to visual identity, logo
    design, event branding, and promotion strategies. The literature
    used is sourced from books, journals, and relevant scientific
    publications.</p>
  </sec>
  <sec id="data-collection">
    <title>Data Collection</title>
    <disp-quote>
      <p><italic>Data Primer</italic></p>
    </disp-quote>
    <p>The data was obtained through an in-depth interview with the
    co-founder of the Bandung Shocking Sale Festival. This interview
    aims to explore the preferences, the message you want to convey, and
    the characteristics that will be poured into the design of the
    visual identity.</p>
    <disp-quote>
      <p><italic>Data Seconds</italic></p>
    </disp-quote>
    <p>Data were obtained from literature related to visual identity
    theory and social media, including books, scientific journals,
    articles, and design references</p>
    <p>from similar events. This data is used to strengthen primary data
    so that the design is in accordance with professional design
    principles.</p>
    <p>The data collection methods used include:</p>
    <p>Interview: Dig up information directly from the co-founder
    regarding the logo concept, colors, typography, and desired visual
    style.</p>
    <p>Moodboard Creation: Compile visual references from interviews and
    literature to present relevant design styles, then validate them to
    the co-founders.</p>
    <p>Literature Study: Examine design theory, visual identity,
    promotion strategies, and their application on social media to
    ensure the suitability of the design with promotional
    objectives.</p>
    <graphic mimetype="image" mime-subtype="png" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image3.png" />
    <disp-quote>
      <p>Figure 1. Linear Strategies of the Author's Research [Source:
      author's documentation)</p>
    </disp-quote>
  </sec>
  <sec id="data-analysis-techniques">
    <title>Data Analysis Techniques</title>
    <p>Data analysis is carried out inducively through three main stages
    (Sugiyono, 2010):</p>
    <list list-type="order">
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Data Reduction: Sorting and selecting relevant data, as
            well as ignoring data that does not support the focus of the
            research.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Data Presentation: Compile data in the form of narrative
            descriptions to see the relationship between data and
            problems faced.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Conclusion Drawn/Verification: Concluding the results of
            the analysis as the basis for the formulation of the design
            concept.</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <p>In addition, a SWOT (Strengths, Weaknesses, Opportunities,
    Threats) analysis was conducted to identify the position of the
    Bandung Shocking Sale Festival in the midst of competition for
    similar events. The results of this analysis became the basis for
    brainstorming and the preparation of design concepts.</p>
    <graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image4.jpeg" />
    <disp-quote>
      <p>Diagram 1. Planning process flow (Source: Kurniansyah,
      2021)</p>
    </disp-quote>
  </sec>
  <sec id="visual-identity-of-events">
    <title>Visual Identity of Events</title>
    <p>In an entity or in this case a company, visual identity functions
    as a reflection of the characteristics and visions of the company
    (Putra, 2020). Logo is an identity in visual form that is applied in
    various facilities, facilities and company activities. According to
    Thabroni (2019), as a visual form, visual identity displays symbols
    that reflect the image to be displayed. Visual identity must also be
    aligned with the values, characteristics and visions of a company.
    Visual identity is also called a company symbol, it can be in the
    form of a logo or a symbol with the aim of being easy to remember.
    The designed visual identity is also applied in promotional
    media.</p>
    <p>Based on some of the above definitions, it can be concluded that
    visual identity is a visual image in the form of a logo and its
    derivatives that describe the company's values, characteristics and
    visions and missions. This image is what differentiates one company
    from another. The uniqueness of the characters displayed is a
    reinforcement for the company to make it easier for the audience to
    recognize. According to Aziz, Natalia, and Thabrany (2020), events
    need to have a visual identity in the form of a logo as a medium
    that represents identity, visions, missions, and characteristics
    that are in line with the event.</p>
  </sec>
  <sec id="visual-identity-functions-in-events">
    <title>Visual Identity Functions in Events</title>
    <p>An event needs to create a visual identity, because visual
    identity can be used as a medium for business development or in this
    case to expand the target audience. According to the Directorate of
    Cultural Protection (2015), visual identity has three basic
    functions, namely:</p>
    <list list-type="alpha-lower">
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Means of Identification</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <disp-quote>
      <p>Visual identity can be a medium that identifies what the event
      is like, the theme of the event, characteristics and other
      uniqueness. Visual identity makes the event easy for visitors to
      recognize and remember.</p>
    </disp-quote>
    <list list-type="alpha-lower">
      <list-item>
        <label>b.</label>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Means of Information and Instruction</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <disp-quote>
      <p>Visual identities also serve to show information in the event,
      such as directions, maps, symbols, and other clues. A visual
      identity that is communicative and universal will make it easier
      for visitors to understand the message being conveyed.</p>
    </disp-quote>
    <list list-type="alpha-lower">
      <list-item>
        <label>c.</label>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Presentation and Promotion Facilities</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <disp-quote>
      <p>The third function of visual identity is as a medium of
      presentation and promotion by conveying messages to get attention
      from a visual point of view.</p>
    </disp-quote>
  </sec>
  <sec id="the-importance-of-visual-identity-at-events">
    <title>The Importance of Visual Identity at Events</title>
    <p>According to Bluesodapromo in Aldo, Natadjaja, &amp; Febriani
    (2018), a visual identity or logo is a symbol of what identifies the
    characteristics of a company or institution. The logo is also the
    face that displays the characteristics of the institution that
    distinguishes it from other institutions, so the logo is required to
    have a unique value and explain the message of the institution.</p>
  </sec>
  <sec id="benefits-of-visual-identity-at-events">
    <title>Benefits of Visual Identity at Events</title>
    <p>Visual identity in the form of a logo is one of the important
    things that an institution must have. With a professional logo
    owned, it will be beneficial for the branding of the institution.
    According to Jacob Cass on Justcreative.com website, there are five
    benefits that institutions get if they have a professional logo,
    namely:</p>
    <list list-type="alpha-lower">
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Membuat kesan pertama yang bagus kepada pelanggan atau
            pengunjung.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Dirancang dengan konsep dan strategi yang profesional
            sehingga relevan dengan karakteristik lembaga.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Bisnis atau lembaga mendapatkan sebuah identitas yang
            baik</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Menggambarkan citra lembaga yang profesional.</p>
          </disp-quote>
        </p>
      </list-item>
      <list-item>
        <p specific-use="wrapper">
          <disp-quote>
            <p>Memiliki berbagai format logo yang benar dan bisa
            diterapkan ke berbagai variasi media.</p>
          </disp-quote>
        </p>
      </list-item>
    </list>
    <p>With the above benefits, a professional visual identity needs to
    be possessed by the Bandung Shocking Sale Festival as a professional
    event organizer to symbolize the characteristics and characteristics
    of the event, as well as serve as an attraction for visitors.</p>
  </sec>
</sec>
<sec id="research-results">
  <title>RESEARCH RESULTS</title>
  <p>The first stage in data identification is observation made by the
  author directly at the time of making event ideas, where the author
  gets various information such as the event concept, the age of the
  visitors, and the theme of the event. After making observations, the
  researcher continued the interview stage with the organizer, namely
  the cofounder of the Bandung Shocking Sale Festival, which produced
  various information about the purpose of the event, the target of
  visitors, and the theme of the event, the problems faced by the event,
  the promotions carried out were still not optimal and there was a
  desire to make the image of the Bandung Shocking Sale Festival more
  fun and not boring, as well as to reach a wider visitor market
  especially to attract the interest of teenagers and the elderly.
  Therefore, visual identity design is required. The process of
  collecting secondary data through literature studies on articles,
  scientific journals and related books on design objects produces
  information about the importance of visual identity as an image that
  depicts the face of an event. It also obtained information and
  knowledge on how to design a good visual identity that can be used as
  a guideline in designing event logos. Designing visual identity as a
  promo media will certainly adjust to the target visitors of this
  visual identity design, namely the age of 18-45 years. In this case,
  not only the message can be conveyed, but how the visualization of the
  logo in this promo media works in an attractive, persuasive and
  easy-to-understand manner is an important part that needs to be
  considered.</p>
  <p>Based on the data that the author has collected through the data
  collection methods mentioned above, the main information about the
  Bandung Shocking Sale Festival event is obtained. The information
  obtained is quite diverse, the first is information about the concept
  of the event and the purpose of the event. The Bandung Shocking Sale
  Festival was held in December 2023, initially created</p>
  <p>because the cofounders saw an opportunity for brands to spend all
  products that were considered undersold or their expiration date. The
  second is information about the types and varieties of brand
  collections that have expired, while at the beginning of the year they
  have changed products according to the theme.</p>
  <p>Documentation is carried out to collect supporting data in the form
  of references, logos, other events, and other information in designing
  visual identities such as visions, missions, and target visitors.</p>
  <p>The third information is data about the promotions that have been
  carried out, also discussing the obstacles faced by the event
  organizers such as the lack of people who know about the event.</p>
  <p>Based on the elaboration of the data analysis above, it can be
  concluded that the Bandung Shocking Sale Festival is an event in the
  form of warehouse washing exhibitions from various multibrands. The
  expected target visitors are students and the young generation of
  parents in the city of Bandung, with the results of designing a new
  visual identity and applying it in promotional media are expected to
  attract more visitors. The enthusiasm of visitors from the younger
  generation is certainly expected to be a trigger for visits to
  increase. If we return to the context of the age and socio-economy of
  the visitor, then the choice of design and color is made in an
  attractive, cheerful and modern way.</p>
  <p>The concept of designing the visual identity of the Bandung
  Shocking Sale Festival uses a combination of logograms and logotypes.
  According to the Grapiku.com website, this type of combination logo
  can be a good choice because the logo can be used in various media and
  needs, and the logo will be more integrated and strengthen the brand
  image.</p>
  <p>The main theme in designing the Bandung Shocking Sale Festival logo
  is to form the image of the warehouse washing event to look fresher,
  more attractive and modern. The visual message displayed is in the
  form of a collection of several icons, such as round and triangular
  graphics that symbolize the various products displayed, cheerful
  colors to explain that the event is not just an ordinary warehouse
  wash. The verbal message is in the form of a logotype that reads
  Bandung Shocking Sale Festival as the identity of the event's
  name.</p>
  <p>The design style used in designing this logo is a logotype that
  displays a message conveyed through the form of writing with various
  symbols as a complement. This design style looks simple, iconic,
  unique and memorable. Its simple shape is also considered more modern
  so that it can be applied to various supporting media. In order to
  maximize the use of this visual identity, an appropriate application
  medium is needed. This logo will be applied in various media, from
  small scale to large-scale media, including business cards,
  letterheads, stamps, employee uniforms, stickers, souvenirs, social
  media promotional content to banners, billboards and others. These
  media were chosen because they are considered interesting,
  communicative and functional, and this media will later intersect
  directly with the audience, in this case museum visitors, so that it
  can increase brand awareness on the image of the event.</p>
  <p>The second stage is pre-production, which is the researcher
  collects data through document or data review, observation and
  interviews as characteristics of qualitative research. The authors of
  this study are divided into several tasks to</p>
  <p>collect data, such as those who conduct research on similar
  activity promos. There are also those who collect data related to the
  logo of similar activities. Interviews are also conducted to the
  target audience of the logo that will be designed, namely from several
  visitors and performers to find out the reason why they are present
  and enliven the activity, then what is usually their interest when,
  for example, seeing promos on certain media.</p>
  <p>This diverse and irregular data will then enter the data analysis
  stage to be arranged and narrated in a more structured manner so that
  it can be better interpreted (Daymon and Holloway, 2002: 367). Of
  course, the data analysis carried out is a qualitative data analysis
  with a systematic process that takes place continuously at the same
  time as the data collection is carried out.</p>
</sec>
<sec id="discussion">
  <title>DISCUSSION</title>
  <sec id="data-identification">
    <title>Data Identification</title>
    <p>The first stage in data identification is observation made by the
    author directly at the time of making event ideas, where the author
    gets various information such as the event concept, the age of the
    visitors, and the theme of the event.</p>
    <p>After making observations, the researcher continued the interview
    stage with the organizer, namely the cofounder of the Bandung
    Shocking Sale Festival, which produced various information about the
    purpose of the event, the target of visitors, and the theme of the
    event, the problems faced by the event, the promotions carried out
    were still not optimal and there was a desire to make the image of
    the Bandung Shocking Sale Festival more fun and not boring, as well
    as to reach a wider visitor market especially to attract the
    interest of teenagers and the elderly. Therefore, visual identity
    design is required. The process of collecting secondary data through
    literature studies on articles, scientific journals and related
    books on design objects produces information about the importance of
    visual identity as an image that depicts the face of an event. It
    also obtained information and knowledge on how to design a good
    visual identity that can be used as a guideline in designing event
    logos. Designing visual identity as a promo media will certainly
    adjust to the target visitors of this visual identity design, namely
    the age of 18-45 years. In this case, not only the message can be
    conveyed, but how the visualization of the logo in this promo media
    works in an attractive, persuasive and easy-to-understand manner is
    an important part that needs to be considered.</p>
    <p>Based on the data that the author has collected through the data
    collection methods mentioned above, the main information about the
    Bandung Shocking Sale Festival event is obtained. The information
    obtained is quite diverse, the first is information about the
    concept of the event and the purpose of the event. The Bandung
    Shocking Sale Festival was held in December 2023, initially created
    because the cofounders saw an opportunity for brands to spend all
    products that were considered undersold or their expiration date.
    The second is information about the types and varieties of brand
    collections that have expired, while at the beginning of the year
    they have changed products according to the theme.</p>
    <p>Documentation is carried out to collect supporting data in the
    form of references, logos, other events, and other information in
    designing visual identities such as visions, missions, and target
    visitors.</p>
    <p>The third information is data about the promotions that have been
    carried out, also discussing the obstacles faced by the event
    organizers such as the lack of people who know about the event.</p>
    <p>Based on the elaboration of the data analysis above, it can be
    concluded that the Bandung Shocking Sale Festival is an event in the
    form of warehouse washing exhibitions from various multibrands. The
    expected target visitors are students and the young generation of
    parents in the city of Bandung, with the results of designing a new
    visual identity and applying it in promotional media are expected to
    attract more visitors. The enthusiasm of visitors from the younger
    generation is certainly expected to be a trigger for visits to
    increase. If we return to the context of the age and socio-economy
    of the visitor, then the choice of design and color is made in an
    attractive, cheerful and modern way.</p>
    <p>The concept of designing the visual identity of the Bandung
    Shocking Sale Festival uses a combination of logograms and
    logotypes. According to the Grapiku.com website, this type of
    combination logo can be a good choice because the logo can be used
    in various media and needs, and the logo will be more integrated and
    strengthen the brand image.</p>
    <p>The main theme in designing the Bandung Shocking Sale Festival
    logo is to form the image of the warehouse washing event to look
    fresher, more attractive and modern. The visual message displayed is
    in the form of a collection of several icons, such as round and
    triangular graphics that symbolize the various products displayed,
    cheerful colors to explain that the event is not just an ordinary
    warehouse wash. The verbal message is in the form of a logotype that
    reads Bandung Shocking Sale Festival as the identity of the event's
    name.</p>
    <p>The design style used in designing this logo is a logotype that
    displays a message conveyed through the form of writing with various
    symbols as a complement. This design style looks simple, iconic,
    unique and memorable. Its simple shape is also considered more
    modern so that it can be applied to various supporting media. In
    order to maximize the use of this visual identity, an appropriate
    application medium is needed. This logo will be applied in various
    media, from small scale to large-scale media, including business
    cards, letterheads, stamps, employee uniforms, stickers, souvenirs,
    social media promotional content to banners, billboards and others.
    These media were chosen because they are considered interesting,
    communicative and functional, and this media will later intersect
    directly with the audience, in this case museum visitors, so that it
    can increase brand awareness on the image of the event.</p>
  </sec>
  <sec id="design-visualization">
    <title>Design Visualization</title>
    <p>The first stage in the design visualization carried out by the
    author is research and looking for logo references that are relevant
    to the Bandung Shocking Sale Festival Event. After finding various
    kinds of design references, the author will have a discussion with
    the organizers about design style references that are suitable for
    the Bandung Shocking Sale Festival.</p>
    <disp-quote>
      <p><inline-graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image5.jpeg" /><inline-graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image6.jpeg" /><inline-graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image7.jpeg" /></p>
      <p>Figure 2. Design references (Source: Google, 2023)</p>
    </disp-quote>
    <p><inline-graphic mimetype="image" mime-subtype="png" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image8.png" />As
    well as being assisted by a moodboard as a reference for design
    style, colors and fonts that will be used in designing brand
    identity. The results chosen by the cofounder as a reference are
    numbers 1 and 3. The next stage is the creation of a rough sketch or
    logo thumbnail using the characteristics and characteristics of the
    Bandung Shocking Sale Festival as visual data, including round
    images, triangles and other graphic elements as iconic product
    symbols. The second visual form is the event writing as the main
    core of the logo. Based on the results of the discussion, the design
    of the Bandung Shocking Sale Festival logo was made simple and
    modern.</p>
    <disp-quote>
      <p>Figure 3. The result of the Logo that has been created (Source:
      author's documentation, 2023)</p>
    </disp-quote>
  </sec>
  <sec id="implementation-of-visual-identity">
    <title>Implementation of Visual Identity</title>
    <p>After obtaining a logo that has been approved by the organizer,
    the application of the logo is made in various media. The media is
    on the main flyer for digital promo media, such as Instagram,
    Facebook etc. As an online promotional medium, the logo is applied
    to Instagram and Facebook profiles. Logos are also applied to every
    feed and instastory that will be uploaded as a form of consistency
    and to increase brand awareness for internet users.</p>
    <p><inline-graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image9.jpeg" /><inline-graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image10.jpeg" /></p>
    <disp-quote>
      <p>Figure 4. Applications in digital media that have been created
      (Source: author's documentation, 2023)</p>
      <graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image11.jpeg" />
      <p>Figure 5. Applications in the media that have been created
      (Source: author's documentation, 2023)</p>
    </disp-quote>
    <p>Billboards aim to be a large-scale promotional media that is
    placed in strategic areas so that it can be seen, the logo is placed
    at the top with the consistency of a white background so that the
    logo can be seen clearly.</p>
    <graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image12.jpeg" />
    <disp-quote>
      <p>Figure 6. Applications in the media that have been created
      (Source: author's documentation, 2023)</p>
    </disp-quote>
    <p>Logos are applied to the media banners around the event area. The
    logo is placed on the top with a plain white background and with a
    large size so that it can be clearly seen even in a high place.</p>
    <graphic mimetype="image" mime-subtype="jpeg" xlink:href="vertopal_fa66c351a8664f84956071394f4e2953/media/image13.jpeg" />
    <disp-quote>
      <p>Figure 7. Logo application on the event stage (Source: author's
      documentation, 2023)</p>
    </disp-quote>
    <p>Logos are applied to the backdrop on the event stage as a
    promotional medium. Using the dominant color magenta as the brand
    color of the Bandung Shocking Sale because it is considered to
    represent the concept of a cheerful, vibrant and modern event. The
    logo is placed on the top with a plain white background and with a
    large size so that it can be clearly seen even in a high place.</p>
    <p>Test, The final step in Visual Identity Design is a test or
    trial, where the idea or solution that has been designed before it
    is evaluated to determine its level of effectiveness before it is
    applied thoroughly. In the process of testing the design of visual
    idenitity design at the Bandung Shocking Sale Festival event, this
    step involves submitting the design to the event organizer.
    Furthermore, the design was disseminated through social media that
    had been prepared by the event, with the aim of getting responses
    and responses from the community and target visitors.</p>
  </sec>
</sec>
<sec id="conclusion">
  <title>CONCLUSION</title>
  <p>The design of visual identity at the Bandung Shocking Sale Festival
  shows that visual communication strategies have an important role in
  improving the image and attractiveness of an event. The visual
  identity designed with a simple, modern, fresh, and easy-to-apply
  logotype style is proven to be able to represent the vision, mission,
  and characteristics of the event professionally. The consistent
  application of visual identity in various media, both print and
  digital, has succeeded in expanding the reach of promotion so that it
  is not only known in the community, but also reaches a wider audience,
  especially in the productive age range of 18-45 years. This success is
  reflected in the achievement of the number of visitors of around
  10,000 people in accordance with the set target. Thus, it can be
  concluded that the design of the right visual identity is able to
  support the effectiveness of promotions, strengthen the positive image
  of the event, and make a real contribution to increasing local
  economic activities through the attraction of the event.</p>
</sec>
<sec id="recommendation">
  <title>RECOMMENDATION</title>
  <p>Based on the results of the design and implementation of visual
  identity at the Bandung Shocking Sale Festival, there are several
  things that can be suggested for future development. First,
  consistency in the application of visual identity elements, such as
  logos, colors, typography, and other graphic elements, needs to be
  maintained so that the festival has a strong image and is easily
  recognized by the public. Second, the optimization of digital media,
  especially social media and official websites, is very important to
  expand the reach of promotion and reach the younger generation who are
  more active in the digital realm. Third, the development of
  interactive media, such as promotional video content, logo animations,
  and digital merchandise that matches the identity of the event, can be
  an additional strategy to increase audience engagement. Fourth, it is
  necessary to conduct periodic evaluations of the effectiveness of
  promotion and acceptance of visual identity in the community. The
  results of this evaluation can be the basis for innovation in
  promotional strategies and refreshing visual</p>
  <p>identities to stay relevant to the development of design trends and
  the needs of the target audience.</p>
</sec>
<sec id="advanced-research">
  <title>ADVANCED RESEARCH</title>
  <p>Further study should explore how visual identity strategies can be
  optimized across different types of events to enhance promotional
  effectiveness and audience engagement. Future research could also
  examine the long-term impact of consistent visual branding on audience
  loyalty, event sustainability, and local economic growth. In addition,
  comparative studies between local and international events may provide
  deeper insights into how cultural context influences the effectiveness
  of visual communication in shaping perceptions and attracting diverse
  audiences.</p>
</sec>
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</article>
