Design of Mandala Art Combination with Malay Deli Ornaments

Authors

  • Nurul Atika Hariani Panjaitan Universitas Potensi Utama
  • Mhd. Rusdi Tanjung Universitas Potensi Utama

DOI:

https://doi.org/10.55927/sospolbud.v2i2.5404

Keywords:

Design, Mandala Art, Malay Ornament

Abstract

Mandala Art literally comes from Sanskrit which means circle. The circle in question is a picture of the cosmos, which describes the whole, unity/oneness, continuity, endlessness, as well as a picture of a sacred space, a transcendent and immanent unity. A circle created to represent wholeness personally and cosmologically. Malay ornament motifs are basically sourced from nature, such as flora, fauna, diamonds and celestial objects. These natural objects are engineered in several specific forms and various types. The design of Mandala Art combined with Malay Deli ornaments is to raise the shape and type of Malay ornaments in making the concept of the Mandala Art pattern. The design of Mandala Art in combination with Malay Deli ornaments is the result of a modern Pattern design based on ideas of motifs or decorative ornaments designed in the form of soft files. The purpose of this design is as a reference for designers, art workers, lovers of Mandala Art, especially traditional Malay Deli applied art.

Downloads

Download data is not yet available.

References

Basarshah, Lukman. 2007. Motif dan Ornamen Melayu. Medan: Yayasan Kesultanan Serdang.

Brauen, Martin. 1998. The Mandala: Sacred Circle in Tibetan Buddhism, Shambhala Publications.

Cammann, Schulyer Van Rensseler. 1950, Suggested Origin of the Tibetan Mandala Paintings, Detroit Institute of Art: Detroit.

Cirlot, J. E., 1971, A Dictionary of Symbol, Routledge & Kegan Paul: London.

Irwansyah. 2017. Analisis Ornamen Interior Pada Ruang Balairung Istana Maimoon Medan : Jurnal Proporsi, Vol, 3 No.1 November 2017.

Jung, Carl Gustav, 1987. Menjadi Diri Sendiri, Agus Cremers, Gramedia: Jakarta.

Malik, A., Effendy, T., Junus, H., Thaher, A. (2003). Corak dan Ragi Tenun Melayu Riau. Adicita Karya Nusa, Yogyakarta.

Purba, Rinanda. 2017. Tipografi Kreasi Dari Motif Ukir Melayu Deli : Jurnal Propirsi, Vol, 3 No.1 November 2017.

Ramadhani, Ivo. 2017. Pemanfaatan Typeface Delivo Sebagai Inspirasi Hiasan Dekorasi Interior : Jurnal Proporsi, Vol, 4 No. 1 November 2018.

Sumardjo, Jakob, 2006, Estetika Paradoks, Sunan Ambu Press: Bandung.

Toynbee, Arnold Joseph, 1985, A Study in History, Edisi 2, Oxford University Press: Oxford.

Downloads

Published

2023-07-31

How to Cite

Panjaitan, N. A. H. ., & Tanjung, M. R. . (2023). Design of Mandala Art Combination with Malay Deli Ornaments. Jurnal Sosial, Politik Dan Budaya (SOSPOLBUD), 2(2), 251–264. https://doi.org/10.55927/sospolbud.v2i2.5404

Issue

Section

Articles