IAN McEwan’s Depiction of World as a Dystopian Social Space

Authors

  • Aadil Zeffer Visiting Faculty, The University of North Carolina at Chapel Hill
  • Tahir Zaffar 2Department of English, Aligarh Muslim University, Aligarh

DOI:

https://doi.org/10.55927/eajmr.v2i2.2649

Keywords:

Ian McEwan, Dystopian, The Comfort of Strangers, Enduring Love, Nutshell

Abstract

This paper aims to study Ian McEwan’s presentation of the world as a dystopian social space. McEwan paints an ugly picture of the present times and gives a warning to contemporary society against the inhuman cruelties that rock it every moment. The present world confronts alienation, anxiety, fear and death etc. on a daily basis and the fundamental role is played by fiction in expressing such experiences. The novels of McEwan present a bleak and dystopian picture before the readers as the things are going in a horrible direction. It can be inferred that McEwan is trying to bring home the idea of destruction and other mishappenings which have taken a toll on the world and thereby giving a message to the people to act before it is too late.

References

Bradbury, Malcolm. (1994). The Modern British Novel. London: Penguin.

Byrnes, Christina. (2002). The Works of Ian McEwan: A Psychodynamic Approach, Nottingham: Pauper’s Press.

Childs, Peter. (2006). The Fiction of Ian McEwan. Hampshire: Palgrave Macmillan.

Denzin, Norman K. (1995). The Cinematic Society: The Voyeur's Gaze. London: Sage Press.

Eagleton, Terry. (2000). Literary Theory: An Introduction. New Delhi: Maya Blackwell.

Ellis, Bret Easton. (1991). American Psycho. New York: Vintage. Freud, Sigmund.(1968). A General Introduction to Psychoanalysis. Washington Square Press.

Head, Dominic. (2007). Ian McEwan. New York: Manchester, 2007. Homer, Sean. Frederic Jameson. (1998): Marxism,

Hermeneutics and Postmodernism. Cambridge: Polity Press. Hutcheon, Linda.(1988). A Poetics of Postmodernism: History, Theory, Fiction. Routledge.

Jameson, Fredric.(1991). Postmodernism or the Cultural Logic of Late Capitalism. Durham: Duke UP. Jernsch. Ernst.

(2012). On The Psvchology of the Uncanny. Oxford: Blackwell.

Kiernan.(2007). Ian McEwan. United Kingdom: Northcote British Council.

Kilgour, Maggie.(1997). The Rise of the Gothic Novel. Routledge.

Lyotard, Jean-Francois.(1984). The Postmodern Condition: A Report on Knowledge. Trans. Bennington, Geoff and Brian Massumi. Minneapolis: U of Minnesota P.

Malcolm, David.(2002). Understanding Ian McEwan. South Carolina: U of South Carolina P.

McEwan, Ian.(1981). The Comfort of Strangers. Vintage.

—.(1997). Enduring Love. Vintage.

—.(2016). Nutshell. Vintage.

Nicol, Bran.(2009). The Cambridge Introduction to Postmodern Fiction. New York: Cambridge UP.

Noakes, Jonathan, and Margaret Reynolds.(2002). Ian McEwan: the Essential Guide to Contemporary Literature. London: Vintage.

Rennison, Nick.(2005). Contemporary British Novelists. London: Routledge.

Ryan, Kiernan.(1994). Ian McEwan, Devon: Northcote House.

Slay, Jack Jr.(1996). Ian McEwan. New York: Twayne Publishers.

Downloads

Published

2023-02-28

How to Cite

Aadil Zeffer, & Tahir Zaffar. (2023). IAN McEwan’s Depiction of World as a Dystopian Social Space. East Asian Journal of Multidisciplinary Research , 2(2), 557–568. https://doi.org/10.55927/eajmr.v2i2.2649

Similar Articles

1 2 3 > >> 

You may also start an advanced similarity search for this article.