Empu Krt. Subandi Suponingrat Keris Preservation in Documentary Photography

Sepba Fri  Atnin; Handriyotopo

doi:10.55927/eajmr.v2i11.6547

Authors

Sepba Fri Atnin Postgraduate Fine Art Creation, Indonesian Institute of the Arts Surakarta
Handriyotopo Postgraduate Fine Art Creation, Indonesian Institute of the Arts Surakarta

DOI:

https://doi.org/10.55927/eajmr.v2i11.6547

Keywords:

Documentary Photography, Keris Making Process, EDFAT Method

Abstract

Keris is one of the wealth objects in Indonesia which currently still exists and the process of making it can still be studied. The activity of making keris, which is often seen from childhood, is one of the ideas for creating this photographic work. This visual work uses documentary photography and applies EDFAT method. Documentary photography is a style of photography that depicts an event or situation that has important and historical meaning. Implementing EDFAT method helps to clarify the flow of a documentary photography story in creating this final project. The aim of creating this final assignment is to increase the existence of the Keris-making process among the younger generation.

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